Silent Way gets 10/10 in Computer Music

Slightly old news, but it turns out Silent Way was reviewed in issue 147 (January 2010) of Computer Music.

It got a score of 10/10.

Some extracts:

“It works beautifully. We tried it with a Minimoog, Synthesizers.com modular, Odyssey, Roland SH-101 and even the notoriously cantankerous EMS VCS3. Silent Way was able to get each one to play nicely for at least three octaves.”
“For us, Silent Way is a no-brainer. It’s considerably cheaper than the competition and Expert Sleepers are constantly updating it. It’s a truly brilliant solution to an age old problem and one that might make you reevaluate the practicalities of owning a vintage synth.”

Silent Way reviewed in Sound On Sound

Silent Way has received a glowing review from Sound On Sound magazine, in the May 2010 issue.

“If you dream of controlling your analogue synths from within your DAW software, it may be that your audio interface will let you do just that — with a little help from this plug-in suite.”
“My time with Silent Way was quite a liberating experience.”
“Voice Controller is the star of the show for me. Slick and self-contained, this has the effect of pulling a much-loved analogue synth into the heart of your DAW, with a level of control that is usually the reserve of a virtual instrument.”
“Silent Way is a genuine alternative to a MIDI-to-CV interface, and capable of a greater level of sophistication.”

You can read the full review here.

Brian Eno on Expert Sleepers

Apparently all-round music legend Brian Eno is something of a fan of Expert Sleepers plug-ins, and was kind enough to write me this rather nice review.

Instruments that sound good inspire better music, and it's a struggle to make music with bad-sounding instruments, irrespective of how talented you might be. Software instruments are no different: although they are usually discussed and sold in terms of their 'features'  what really makes you return to an instrument repeatedly is the much more elusive factor of inspirational sound quality.

I don't know enough about programming to understand why some software tools fascinate you while others make you want to get another job, but I do know that when I use anything by ES I get excited by what I'm hearing. These tools have the sonic richness of great analogue instruments - with the features of innovative digital ones.

- Brian Eno